|Notan sketches of a waterfall, Yellowstone National park|
With this set of notan sketches, my focused practice project is complete! It feels good to have created 100 of them and to feel energized by it, not burned out on them. Having the 3-minute time limit definitely helped with that. Without it I would have certainly fussed around for a long time — not that spending more time on them wouldn't be useful. With more time, I could make them better, increasing the potential for making better paintings with them.
My original goal with this project was to design better notans for landscape paintings. I wanted to:
- design pleasing and interesting patterns
- make a variety of shapes with no two intervals the same
- create dark/light harmony to provide a solid structure for contrasting elements in my paintings
By quickly running through several options with one reference, I could eliminate some directions as uninteresting and focus on those that looked like they had the most potential. One of the things that trips me up when it comes to creating a painting is that I could do anything under the sun and that's just too many options! Having several quick studies to compare to each other provides context and makes me feel more confident about any one direction than if I hadn't taken the time to explore. (This is a lesson I've learned a thousand times since college. It gets overwritten by my desire to jump in and get started with the fun stuff.)
So while I can't really say my notan-making skills are solid at this point, I'm confident they'll get there eventually. The big win from this project was discovering a process for incorporating them into the preparation stage of painting, which is super exciting.
Focused practice project parameters: complete 100 landscape notans. 3 minutes per notan, 5 notans per session, 20 sessions to reach 100.